Friday, June 5, 2015

Friday Author Spotlight: Lia London


Today I get to interview one of my favorite authors, Lia London, who also founded the group Clean Indie Reads, of which I am a member. Thanks for stopping by, Lia!

Caz is the heart of this series, and you've created a strong teenager with believable motivations and reactions. Even while she experiences strange events all around her (and sometimes TO her) the reader can relate to her struggles and determination. She is so realistically complex that sometimes I want to hug her and other times shout, "Caz! What are you doing?" What was the inspiration for Caz, and how easy is it to get inside her head?

LIA: It’s funny that you should ask the question in that way because, when I started the story well over a year ago, I wrote in third person. The Gypsy Pearl actually began as a collaborative fiction exercise on a website I had at the time, but we didn’t get very far. Frankly, I didn’t like Caz much. She seemed like a whiny little troublemaker, and I wished she’d shape up. After I’d already written about ten chapters, I decided to go back and put the story into first person. Suddenly, I understood why she acted the way she did. Once I realized that she was just too smart and adventurous to live in the highly regulated, closed-minded little world of a space station, I wanted to help her get out of there and have some fun. Although I am not the physical risk-taker that she is, I can empathize with her curiosity and her interest in learning about new places and cultures.

How did you come up with the idea for the faneps? They are fascinating sentient creatures and King is a particularly interesting character.

LIA: The whole arc of the story came from a dream, but in that vision, the creature made a one-time appearance. A writer friend, Jan Jacob Mekes, suggested that the creature become more integral to the plot and gave me ideas for the fanep species culture, etc. I can’t imagine the story without King, so I am greatly indebted to Mekes.

Your world building for this series is terrific. The three world concept, the unique qualities of each planet, the differences and prejudices between ICS dwellers (spaceys) and Surface dwellers, all of it combine to make a gritty, realistic setting that transports the reader into your universe. What is your process of creating an entirely new reality?

LIA: Many of my favorite books feature elaborate world-building, so this was my chance to explore that aspect of writing. Also, I’ve been blessed with the opportunity to travel a lot in my life, particularly during formative years in my youth. Because I was allowed to look at foreign “worlds” through the unbiased eyes of a child, I think it changed the way I look at the world in general. I love my country and my culture, but I also can see why other countries developed different ways of doing things that worked for them. History, sociology, anthropology—these are interests of mine, and world-building allows me to work through some of my observations of things I see happening on good ol’ Earth. In terms of process, I ask a lot of “what ifs”. What if a colony only had this much land space? What if a colony were cut off from the archives of the past knowledge? What if the climate was brutal, but the money to be made was great? What if you never, ever left the walls of your space ship for your whole life?

I know you meant for this to be a trilogy, which makes sense since there are three worlds and three gifts, but do you have any plans for other stories set in this universe?

LIA: Actually, I thought it was going to be a novella! It grew, rather like Caz’s “rotation” on Caren, into something much bigger than expected. That was thanks to fellow author Ayd Instone, who suggested the whole Cycling Ceremony concept. In terms of moving on with this series… I won’t say never, but I have half a dozen other stories that are percolating in my brain more urgently, so I’ll need to get to them first.

You are such a wonderfully eclectic writer, and I love your sense of humor, yet you also write beautifully and memorably about more serious topics. What are your ideas for future books?

LIA: You are very kind! “Eclectic” is such a nice way of saying, “can’t make up her mind”! Most of the stories I’m sketching out now are for young adult and middle grade audiences. The two books that are most fully formulated in my mind are both in the fantasy genre. One, The Wedding Circle Wish, will see two tweens accidentally crash a fairy wedding, steal a wish, and have a startling transformation take place. It will be very silly and whimsical in nature. I’m hoping to have my own tween kids help me write it. The other, as yet without a working title, will be considerably longer and more complex. It’ll have a pre-industrial, magical feel with some intrigue and action wrapped around a coming-of-age story. I will definitely do some world-building with that one because I want to create some very different social paradigms to find out “what if…” The overall story arc is in my brain, but how I’ll get from point A to point Z will be an adventure for me as much as for my characters.

I've read all three Gypsy Pearl books, and I highly recommend them! Here are my reviews:

Book One: Caren
Book Two: Craggy
Book Three: Tye

Check out all of Lia's books and visit her at lialondonbooks.com
and on Twitter: @lialondon1

Friday, May 22, 2015

Friday Author Spotlight: Angela Castillo

Today I'm interviewing another fellow Texan, Angela Castillo, whose latest book, The River Girl's Song: Texas Women of Spirit Vol. I, was just released yesterday. A young mother who writes moving stories with spirit and heart, Angela exudes contagious energy and enthusiasm.

Q: In the acknowledgement of The River Girl's Song, you thank the mayor of Bastrop, Texas and the Pioneer Farm in Round Rock, Texas. Was that as part of your research or is this story based on an actual person or compilation of events?

ANGELA: This story is completely fictional but I did extensive research on my home town of Bastrop. I wanted to create a character who could have lived near the town and in the actual historic setting. I used buildings that you can still visit in Bastrop today, including the Methodist church. Zillia is actually a name from a Bastrop census in the 1880's.

Q: Your main character, Zillia, is so well crafted I keep wondering if she was a real person. Did you discover her gradually through the research, or was she the reason for the research?

ANGELA: Zillia is not a real person per se, but she is someone I created based on many aspects of the amazing women I have known in my life. I also drew from several of my own life experiences, especially the goats and some of the questions she has about God.

Q: With three children at home, how do you juggle writing with motherhood? Do you follow a schedule?

ANGELA: Not really. I try to devote a certain amount of time per day towards writing and getting the word out about my books, but it comes in spurts. Sometimes I'll spend an hour madly scribbling while the kids play in the backyard, and sometimes I won't write an original sentence for days. I do try to have a timeline of goals to work with. That works better for me than having something I have to do every single day.

Q: In each of your two books I've read so far you deftly weave gentle spiritual themes into your stories. Which genre do you find it easier to write from a Christian viewpoint, fantasy or historical? Do you prefer one over the other?

ANGELA: I really don't have a hard time with either one, because for me, my faith is such a part of who I am it kind of just flows in. I write fiction, but God is real and His truths never change, so I really don't have a hard time integrating it into either. My biggest challenge is trying to convey my thoughts in a way that the reader will understand what I am trying to say, but hopefully won't be too 'cheesy' or 'preachy.' I always try to write things that I would want to read.

I grew up reading both history and fantasy, pretty much in equal helpings, so I can't even say which one I like better.

Q: What is your next writing project?

ANGELA: I'm working on the next book in the "Texas Women of Faith" series, which will be about Soonie and her trip to North Texas to teach the children at a Comanche settlement. The 1890's was an extremely pivotal point for the Comanche people, and there is so much amazing history to work with. I could write ten books already!

How to contact Angela:

Website: Angela Castillo, Writer

Facebook: Fairygirl Photo

Twitter: @fairygirlcards

Friday, May 15, 2015

Friday Author Spotlight: Karen S. Jones



Today I'm interviewing K. S. (Karen) Jones, whose stunning debut YA historical novel SHADOW OF THE HAWK was released in February. Since she recently moved to Kerrville, I got to meet in her in person this week, and she is a lovely person with her own inspiring personal story.

Q: What gave you the initial idea for this story? Are any of the details inspired by actual events?

Karen: Shadow of the Hawk is a 1930s historical fiction story that came about by my fascination with the amazing people who lived during this trying time. My parents were just youngsters when America’s Great Depression hit, so their childhood memories were filled with immense personal struggles, as well as great admiration and compassion. Their parents (my grandparents) had to make life-changing decisions, which trickled down through generations. So, bits and pieces of their lives and their memories have touched this story. Many books set during this time period tell about people fleeing the Dust Bowl. But Shadow of the Hawk is different, because these folks stay on their farm, rather than migrating westward.

Q: Your details are so well drawn I feel as if I've traveled to 1932 Arkansas in a time machine. Did you live there? Or visit for research purposes?

Karen: Although Shadow of the Hawk is purely fictional, it does take place in a real town called Coaldale. Today, the town it is nothing more than a blip on an Arkansas map, but it does still have several homes, a church, and a cemetery. Coaldale is where my mother was born, and where she lived until she was about eight years old. I have visited Coaldale several times, including taking my mother on her last trip home. On that trip, we spent two days revisiting the sites she loved so much, and I was totally immersed in her memories. At that time, I still had a few years left before finishing this book, so our visit added a lot of flavor to the story. I had grown up listening to my mother’s vivid recollections of Coaldale, as well as life in general during the 1930s in both Arkansas and California, and her stories left an indelible impression upon me.

Q: The dialogue is so believable. How did your characters come alive for you? Were any born "fully grown" or did they develop over time as you did your research?

Karen: That's a great question, Katy. First, the vernacular used in this book is the same language I grew up listening to from my mother, father, aunts, uncles, and grandparents! It’s the real deal. And yes, the characters in this book most certainly “came alive” for the writing of this story. The main character in Shadow of the Hawk is sixteen-year-old Sooze Williams. However, when I began writing this story, it was Cora, her younger sister, whom I thought this story was about, so Sooze had a hard time pushing herself through. And, in fact, Sooze originally had a different name, and I could not get a handle on her personality. I just knew I had her name all wrong. My poor husband had to listen to me mumble and grumble about "that" not being her name. Then an interesting writer-thing happened. One day, out of sheer frustration, I shouted, "Tell me your name!" She stepped up and said, "My name is Sooze. Well, Susanna is my God-given name, but folks never call me by it." In amazement, I said, "Sue's? As in S-U-E-apostrophe-S?" and she said, "No, Mama says nothin’ ever really belongs to us except our beliefs and she didn't want to mislead me by giving me a possessive spelling, so she taught me to spell my name S-O-O-Z-E." From that moment on, Sooze and her story took off, and I just hung on for the ride.

Q: I know from my own experience that writing historical fiction is a lot of work searching for those details that firmly place the story in a certain time and place. Do you have a process? You mention on your blog that the research for Shadow of the Hawk "has spanned a lifetime." I'm curious about that.

Karen: Since the town of Coaldale, which is located on the Oklahoma/Arkansas border, is where my mother comes from, I grew up listening to all the stories surrounding her childhood. She loved Coaldale and the Ouachita Mountain area. And she had an interesting family. There never seemed to be a dull moment. Over twenty years ago, I began writing down her memories in minute detail. But then I realized that the memories of one person might not be the same memories that another person has, so I branched out. 
    
It was important to me for this book to be a genuine, authentic representation of small town life in the 1930s, so I actually spent more than 15 years researching and writing this story. Part of my research included personal interviews and letters from folks who lived during that time, many from the Coaldale area. But this fictional tale goes one-step further than plain everyday life – it also includes a murder trial. That research plunged me into a whole other world! I spent many months researching the facts and experiences of real life court cases that occurred during that time, like the Scopes Trial, the Sweet Trial, and the trial of the Scottsboro Boys, among others. I studied actual trial transcripts, the summations, plus newspaper and personal eyewitness accounts, to frame up a realistic trial for Shadow of the Hawk.

Q: What are you working on now?

Karen: I recently finished a middle-grade fantasy set in the Southwest tentatively titled, The Talisman. It is currently under publisher's review. I am also putting finishing touches on another middle-grade fantasy which I hope to start marketing soon. After that comes the writing of a New Adult novel set in the beautiful Hill Country of Texas.

It's been a pleasure to get to know you better, Karen. I've read Shadow of the Hawk (here's my review) and I want to see your extraordinary book find a wide readership. All best wishes!

Friday, May 8, 2015

Friday Author Spotlight: Annie Douglass Lima

Today I have the privilege of interviewing one of my new favorite authors, Annie Douglass Lima whose newest YA, The Collar and the Cavvarach will be released tomorrow, May 9th.

Q: How did you get the idea for an empire with elements of modern technology mixed with slavery and gladiatorial contests?

Annie: I've had the idea growing in my mind for the last few years. It started as just a picture of the setting and its culture (with legalized slavery), and the plot and individual characters emerged little by little. The martial art of cavvara shil didn't enter my imagination until just before I started drafting.

Q: After reading the advance copy of The Collar and the Cavvarach, I looked up "cavvarach" to see if it was a real weapon and couldn't find it. Is there an inspiration for that?

Annie: I wanted to create a challenging martial art that was a combination of two or three different fighting styles, involving elements of unarmed combat as well as the use of a weapon. It took a few false starts before I had a fighting style I liked. At first I just pictured using a sword, but I wanted something a little less stereotypical. The cavvarach, with its hook, ended up being just right for what I had in mind. Combatants try to snag their opponent's hook to tug the weapon out of the other person's hand, which is one way to win a duel. (They can also knock it away with their own cavvarach, or kick it away.) Besides disarming an opponent, you can win by knocking them over and pinning their shoulders to the mat for five seconds.

Although this never gets mentioned in the book, I picture a cavvarach having been an ancient weapon of warfare thousands of years ago in that world. Warriors could fight with it much as they would with a sword, but the original purpose of the hook would have been to snag the legs of horses (when wielded by a warrior on foot) or to grab at enemy fighters and pull them off their horses or out of their chariots as they galloped past.


Q: Isn't this the novel you completed during last year's NaNoWriMo? If so, how did you manage to write an entire novel while teaching fifth grade? I'd love to know about your process.

Annie: I wrote the first (very rough) draft during NaNoWriMo in 2013, yes. And let me tell you, it was not an easy task to complete it while working as a full-time teacher! I love my day job and would never want to quit, but I often wish it left me with more time for writing. One of the secrets to my winning NaNo was getting up early and putting in an hour or two of writing before school started. Sometimes I set my alarm for as early as 4:30 a.m. Fortunately, I am a morning person, but it was still hard to get up that early! I pulled some late nights, too, and that was even harder for me. On Saturdays and Sundays I would often spend most of the afternoon writing at a little table outside one of our many neighborhood teashops. Since I didn't have Internet access there, it was easier to stay focused (and the convenient access to hazelnut milk tea and many of my other favorites didn't hurt either!).

Q: The descriptions of the martial arts contests in The Collar and the Cavvarach sound authentic. Are you a practitioner? Or just a very good researcher?

Annie: Designing cavvara shil (and the necessary training and practice for it, as well as rules of the tournament) took a LOT of research. This was one of the most challenging aspects of writing this book. I am not a martial artist myself, so it was all the more difficult to make sure this martial art was feasible and would make sense to readers who practice "real" martial arts. I spent hours researching online and in books, as well as talking to athletes I know. I'm glad to hear that after all that, it does sound authentic!

Q: I'm fascinated by your background, growing up in Kenya and now teaching in Taiwan. Where else have you lived or visited that made a big impression on you, and where would you like to live or visit?

Annie: I've been to a total of nineteen different countries and lived in four of them. Besides Kenya and Taiwan, Indonesia holds the biggest share of my heart. I once spent a year there, teaching in a one-room schoolhouse in a town at the edge of the jungle in New Guinea. What an unforgettable experience! I love to travel anywhere, though, and there's nowhere in the world that I would specifically not want to go. But Asia is my favorite continent to live in, and the next country on my bucket list to visit is Cambodia.

Q: Any plans for a sequel to The Collar and the Cavvarach? How about another book in your Alasia series? 

Annie: Yes to both! I'm working on two more novels at the moment. King of Malorn will be the next one in the Annals of Alasia, and I'm hoping to have that published sometime this summer. The other one is The Gladiator and the Guard, which takes place four years after the events of The Collar and the Cavvarach. I drafted it last November (another NaNoWriMo project), but it still needs a LOT of work. I hope to have it ready for publication by about this time next year, but we'll see.

Thanks for stopping by, Annie! I really appreciate you letting me preview The Collar and the Cavvarach. (My review on Goodreads.) It's an excellent story and I hope MANY readers will discover this book as well as your other YA fantasy series, The Annals of Alasia, which have replaced Anne McCaffrey's Harper Hall Trilogy as my all-time favorite fantasy series. (And I can't wait to read King of Malorn!)

You can order The Collar and the Cavvarach on Amazon or Smashwords, and you can follow Annie:



Email: AnnieDouglassLima@gmail.com










Tuesday, April 14, 2015

Making (Mostly) Beautiful Music

Once upon a time, in the small town of Kerrville, Texas, home of Schreiner University, a community orchestra was born. The very nice director asked me annually for several years if I would play with them, but I politely declined because with my crazy schedule (homeschooling our two sons plus other children for band, science, Shakespeare, creative writing; Boy scouts; teaching flute sectionals and private lessons at area schools; teaching Bible classes at church, etc.) I couldn't possibly add another commitment to my overloaded schedule. I would have loved an opportunity to play instead of teach, but I just had to say no.

Then my life came to a dramatic stop while I fought cancer, and suddenly I didn't want to say "no" to playing classical music with the community orchestra that had now grown to become a quality regional symphony.

I first played with the Symphony of the Hills almost ten years ago when I subbed for their piccolo player at an all-patriotic Pops concert. The conductor, Dr. Jay Dunnahoo, asked me to stand for the solo in Sousa's "Stars and Stripes Forever," which made me REALLY nervous, not because of the notes but because I was still nearly bald after my recent chemotherapy.

The following January there was an opening in the flute section, and I said, "YES, I will play with the symphony." I've been with them ever since and loved almost every concert we've done.

It isn't often our performances are recorded, but I'm putting several here, in case someone is interested in listening to some of our finer moments.

The above performance of Verdi's "Nabucco" is proof one must practice at a faster-than-marked tempo in case your conductor gets excited and goes faster...and faster. I think my piccolo was smoking by the end of this song.

One thing our conductor has tried to do over the years is "gently" introduce newbies to classical music with arrangements like this one. His philosophy has been to make the final song of the concert one that the audience "can leave humming or singing to."

Now I've just learned that Dr. Dunnahoo is retiring after this month's final concert of the season. He is one of the kindest men I've ever known, and I will greatly miss him. This piece we recently played is how my heart is feeling right now. Thanks, Dr. Dunnahoo, for your generous spirit, your creativity, and your encouragement. I'll miss your smiling determination on the podium.

Tuesday, April 7, 2015

Young Wife v. Old Wife

The Jones fam 1994
It occurred to me in the early morning hours (when I do my best thinking) that my attitudes have changed since I was a young wife and mother. There was a time when I enjoyed "time off" from my husband and sons. For years we were involved in Boy Scouts, and once a month hubby and the boys would be off on a campout. That was my writing binge time, so I eagerly looked forward to the peace and quiet. In our youth we think we have all the time in the world, so it's easy to take those we love for granted.
2014

Since my own experience with cancer, I've lost several dear friends my age, and now my attitude has completely changed. I no longer look forward to separations from my husband, even an overnight, because that just means one less day and night to be with him, and those days and nights are more precious than all the riches this world can offer.
As the hero in my WIP says on page 351 of book 1: "That seems to be a great secret of life, to be happy with what you have and who you share your life with for as long as God wills."